The composer here relies on the musical means of expression of the wind band to make clear his viewpoint on the complex problems of mankind.
The programmatic contents of this work is further underlined by the titles which the composer selected for the individual parts of "Blue Planet" partly flowing into one another:
In "Genesis", the original harmony existing between man and nature is symbolized by the subtle texture created by the woodwinds and the strong brass.
The dramatic structure of the second part, on the other hand, reveals where constant striving for prosperity might lead to: endangering and even destroying the vital basis of life for mankind and nature. The sound of bells, which is heard here for the second time, must be construed as admonishment: it is a wrong track, a dead-ended one.
Chorale-like, pensive sounds of the brass introduce the contemplative third part. New Life - the new way is marked by simplicity and striving for harmony with nature and the Creator. At the end of the work, bells are heard a third time, this time symbolizing this last and essential objective.