In 1983, the late composer/conductor Claude T. Smith invited me to write a work to help celebrate the 25th anniversary of Wingert and Jones Music Co. of Kansas City, the wellknown publisher of Smith’s early works and one of the great retail sheet music Stores in Mid-America. I initially turned down the commission, because I could not fit another work into my writing schedule for 1984, but, after explaining my problem to Smith, we both agreed to take one of the works that I was writing for a high school honor band in North Carolina as my contribution to the anniversary celebration. The result was Appalachian Overture, which was premiered by the Alamance County Honor Band in the spring of 1984. The work was published that summer by Wingert and Jones, and it remains my only work in that catalogue.
The overture, in ABA form, is based on original material, but the middle melody is reminiscent of the sort of folk melody prevalent in the American southeast, where the Appalachian Mountains are located. It is a work of great excitement and energy, with the slower middle section allowing the listener a moment of repose before the driving da capo and the dramatic coda, in which the first and second themes are superimposed in counterpoint, finishes in a flash of brilliant sound and instrumental color.
JAMES BARNES