Sweet Bells Fantasy - MVSR3346 | Music

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Concert Band

Sweet Bells Fantasy

Fantasie über "Süßer die Glocken nie klingen"

(The Bells Never Sound Sweeter)

Sweet Bells Fantasy

Concert Band

Sweet Bells Fantasy

Fantasie über "Süßer die Glocken nie klingen"

(The Bells Never Sound Sweeter)

Performance time
00:04:00

Grade Level
Mittelstufe

Publisher
Rundel

Size
A4

Info
Full Score + Parts

Order Number
MVSR3346

Release Date
2018

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Austrian composer Martin Scharnagl presents SWEET BELLS FANTASY, a creative fantasy about the well-known German Christmas song "Suesser die Glocken nie klingen" (The Bells Never Sound Sweeter). The work begins with a grand opening, which dresses the thematic material in a harmoniously colorful robe. The first stanza is presented by the woodwinds in chamber music style before the second stanza appears in a sonorous tutti. Over a broad pedal point we reach musical climax in the form of a fermata in bar 60. After a short break the composer now picks up on the musical ideas of the beginning again and uses them for the transition into a grand finale. Based on a constant percussion rhythm the composition ends in the form of a resplendent hymn. As in the beginning, Martin Scharnagl also uses tubular bells to complete his composition SWEET BELLS FANTASY, which gives the work a dignified and festive character and symbolizes the joy of Christmas.

Teaser-CD117-VeniteAdoremus

Keywords

Austria

Bell

Chimes / Tubular Bells

Christmas

Church / Religios Building

Church bells

contemplative / thoughtful

Europe

Fantasy / Imagination

lovely

Reflection

RUNDEL YouTube Channel

Santa Claus

Snow

white

Listen & read from the Rundel YouTube Channel

RUNDEL VIDEO

Sweet Bells Fantasy

Notes available at:
https://www.rundel.de/en/

Fantasie über "Süßer die Glocken nie klingen"
(The Bells Never Sound Sweeter)

Austrian composer Martin Scharnagl presents SWEET BELLS FANTASY, a creative fantasy about the well-known German Christmas song "Suesser die Glocken nie klingen" (The Bells Never Sound Sweeter). The work begins with a grand opening, which dresses the thematic material in a harmoniously colorful robe. The first stanza is presented by the woodwinds in chamber music style before the second stanza appears in a sonorous tutti. Over a broad pedal point we reach musical climax in the form of a fermata in bar 60. After a short break the composer now picks up on the musical ideas of the beginning again and uses them for the transition into a grand finale. Based on a constant percussion rhythm the composition ends in the form of a resplendent...

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