
Concert Band
Maraba Blue
Latin Swing
Info
South African musician and composer Abdulla Ibrahim was born in Cape Town in 1934. As a young boy he begged American sailors to sell him their latest jazz records. “Music is everywhere in Cape Town”, Ibrahim once said – and as the town at the Cape of Good Hope had always been a place where people from all over the world meet, its music scene was shaped by many different influences. We can hear that in Ibrahim’s jazz music, containing elements of his hometown and his South African origin. That never changed, even when he emigrated to Europe in the 1960’s to escape from the worsening governmental apartheid. He always remained faithful to his ancestry and spread the South African spirit all over the world. “Maraba Blue” is one of Abdullah Ibrahim’s most famous pieces with a calm groove and catchy syncopated melody. You can almost feel the part melancholic/part joyous spirit of South African jazzmen. American composer and arranger James L. Hosay masterfully transfers this unique sound to his transparently orchestrated concert band arrangement. With a brief mid-section in temperamental Latin swing style, Hosay adds his own hallmarks to this great jazz classic.
Serie Sound Classics No. 36

See also
Freedom
MVSR107-2
The Washington Winds, Ed Petersen
Festivus Fanfare, Jump and Joy (Freudensprünge), A Sign for Freedom, Alpine Inspirations, Apertum, König David (Overture), Little Concert Suite, Maraba Blue, Mango Walk, Hinterm Horizont, ...
Groove Academy
MVSR2907
Funk as a musical genre dominated by rhythm perfectly suits the concert band. Markus Goetz used the big band groove of the 1970’s in the new style of “Groove Academy” with cool, driving bass lines and many liberties for the drum ...
Latino Mallets
MVSR3203
Latin music is characterized by strong use of particular percussion instruments such as congas, agogos, cowbell, guiro, claves and others. In Stefan Schwalgin’s Medley “Latino Mallets”, those instruments form the rhythmic and tonal ...
Oye Como Va
MVSR2127
Ein echter Klassiker des Mambo Kings Tito Puente aus den 60er Jahren. Der gebürtige Mexikaner und Gitarrenvirtuose Carlos Santana hat mit seiner Coverversion in den 70er Jahren das Stück erst richtig bekannt gemacht und damit einen ...