Ballade for Alto Saxophone and Band - SMC377 | Music

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Concert Band

Ballade for Alto Saxophone and Band

Ballade für Altsaxophon und Blasorchester

Ballade for Alto Saxophone and Band

Concert Band

Ballade for Alto Saxophone and Band

Ballade für Altsaxophon und Blasorchester

Composer

Performance time
00:05:06

Grade Level
Oberstufe

Publisher
Southern Music

Size
US 9x12 (229x305mm)

Info
Full Score + Condensed Score + Parts

Order Number
SMC377

Release Date
1970

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"Ballade for Alto Saxophone and Band" is one of a group of three pieces for solo wind instruments and band which were commissioned by the G. LeBlanc Corporation in 1955, as performance vehicles for their artist/clinicians (the other two being the "Ode for Trumpet" and "Serenade for Clarinet").
"Ballade for Alto Saxophone and Band" was written for Vincent J. "Jimmy" Abato, a brilliant virtuoso both on the clarinet and saxophone, and was first performed by him at the Gunnison Summer Music Camp, with Mark H. Hindsley conducting the Camp Band, in 1958.

The ballade, or ballad, form is one of the oldest secular forms in western music, an although ballads, especially those associated with both sacred and secular texts of all kinds can and have been written in various ways, covering many styles of musical settings, it is largely with the slower, lyrical textures that Ballads have been identified. The present work follows this procedure, and its single main theme, accompanied by two smaller motifs, is developed in a continuous fashion, affecting many subtle changes of mood and color, even though almost every single measure is related in a close or distant way.

In deference to the French school of saxophone playing, which was taken as a basis for the composition of this piece, the emphasis here is on the long lyrical line of brilliant but light color in the solo instrument. The soloist is accompanied by an always changing harmonic background of chords continuously gliding into each other and separating, like the ever changing cloud patterns of the sky or wave patterns of the sea, thereby surrounding the solo line in ever shifting hues. The final section restates the theme in its original form but with a new pattern of harmonic color in the last measures that rounds off this free-flowing song in the most appropriate way.

Keywords

Alto Saxophone

Ballad

Saxophone

Solo

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