RAPSODIA SAJONIA, its title referring to Josef Bönisch’s Saxon roots (Sajonia = Saxony), is dominated by contemporary harmonies and rhythms as well as conventional symphonic sounds.
The calm and solemn introduction features a euphonium solo theme later used by the entire ensemble. The following allegro demands a marked interpretation of the initial theme by all sections. Woodwinds can play the triplets alternately, hence more precisely. In the Moderato (measure 69) the clarinets introduce a second theme, which is subsequently taken by the rest of the band. After a short allegro transition (starting at measure 86) this second theme reappears as reprise in another key and tempo. With fancifully changing meters (3/4 and 2/4 alternating) an even more agitated RAPSODIA SAJONIA comes to an emphatic conclusion.
für Blasorchester / para Banda / for Concert Band RAPSODIA SAJONIA, its title referring to Josef Bönisch’s Saxon roots (Sajonia = Saxony), is dominated by contemporary harmonies and rhythms as well as conventional symphonic sounds.
The calm and solemn introduction features a euphonium solo theme later used by the entire ensemble. The following allegro demands a marked interpretation of the initial theme by all sections. Woodwinds can play the triplets alternately, hence more precisely. In the Moderato (measure 69) the clarinets introduce a second theme, which is subsequently taken by the rest of the band. After a short allegro transition (starting at measure 86) this second theme reappears as reprise in another key and tempo. With fancifully changing meters (3/4 and 2/4 alternating) an even more agitated RAPSODIA SAJONIA comes...